{"id":10892,"date":"2020-09-30T07:43:28","date_gmt":"2020-09-30T05:43:28","guid":{"rendered":"https:\/\/motovila.si\/?p=10892"},"modified":"2020-09-30T10:45:22","modified_gmt":"2020-09-30T08:45:22","slug":"culture-and-space-during-and-after-the-crisis","status":"publish","type":"post","link":"https:\/\/motovila.si\/en\/culture-and-space-during-and-after-the-crisis\/","title":{"rendered":"Culture and Space during and after the crisis"},"content":{"rendered":"<p>Cinemas, theatres and other cultural venues closed their doors in March this year. Very quickly, cultural programmes were transferred online to an increased degree, and also outdoors, under the sun and stars \u2013 when it was made possible. Careful monitoring of instructions and limitations given by competent institutions, and also of colours in the coronavirus traffic-light system when guests were coming from abroad, was joined by regular checks of the weather forecast. The habit of farmers and organisers of summer festivals has turned into a constant concern and duty for everybody seeking to realise in the changed circumstances at least part of their cultural programme, which had been planed at a time when nobody could possibly imagine what 2020 had in store for us.<\/p>\n<p>Cultural programmes and events that went online or outdoors instead of being held indoors were mostly accessible free of charge, although their creators are representatives of the most precarious sector in Europe. However, even paid-for events held live or in the virtual space are not viable. In case of digital events, organisers cannot expect a wide representation of various groups.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Can the existing cultural infrastructure still make it possible for culture and art to survive? Or, will the rediscovered public space locations become the prevailing \u201clive\u201d culture and art venues until we get an effective vaccine?<\/p>\n","protected":false},"author":2,"featured_media":10308,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[34,51],"tags":[],"class_list":["post-10892","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-international","category-policy-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Culture and Space during and after the crisis - Motovila<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/motovila.si\/en\/culture-and-space-during-and-after-the-crisis\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Culture and Space during and after the crisis - Motovila\" \/>\n<meta property=\"og:description\" content=\"Can the existing cultural infrastructure still make it possible for culture and art to survive? 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